austereprint:

Richard Serra, Shift, 1970 - 72
To roll, to crease, to fold, to store, to bend, to shorten, to twist, to dapple, to crumple, to shave, to tear, to chip, to split, to cut, to sever, to drop, to remove, to simplify, to differ, to disarrange, to open, to mix, to splash, to knot, to spell, to droop, to flow, to curve, to lift, to inlay, to impress, to fire, to flood, to smear, to rotate, to swirl, to support, to hook, to suspend, to spread, to hang, to collect -
…
The “Verb list” established a logic whereby the process that constituted  a sculpture remains transparent. Anyone can reconstruct the process of  the making by viewing the residue. The sculptures resulting from the “Verb list” introduced two aspects of  time: the condensed time of their making and the durational time of  their viewing.
- Richard Serra (excerpt from Questions, Contradictions, Solutions,  2004)

austereprint:

Richard Serra, Shift, 1970 - 72

To roll, to crease, to fold, to store, to bend, to shorten, to twist,
to dapple, to crumple, to shave, to tear, to chip, to split, to cut,
to sever, to drop, to remove, to simplify, to differ, to disarrange,
to open, to mix, to splash, to knot, to spell, to droop, to flow,
to curve, to lift, to inlay, to impress, to fire, to flood, to smear,
to rotate, to swirl, to support, to hook, to suspend, to spread,
to hang, to collect -

The “Verb list” established a logic whereby the process that constituted a sculpture remains transparent. Anyone can reconstruct the process of the making by viewing the residue.
The sculptures resulting from the “Verb list” introduced two aspects of time: the condensed time of their making and the durational time of their viewing.

- Richard Serra (excerpt from Questions, Contradictions, Solutions, 2004)

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